Tag: Óliver Laxe

2025 Cannes Critics’ Panel – Laxe, Mendonça Filho, Panahi & Trier Reign Supreme

The final grades trickled in and finally, our top three has slightly changed. Instead of a firm trio, we now have a foursome as...

2025 Cannes Film Festival: Jafar Panahi’s ‘It Was Just an Accident’ Wins the Palme d’Or

He won Venice. He won the Berlinale. He now wins the Palme. With strong competition from the likes of Kleber Mendonça Filho, Oliver Laxe...

2025 Cannes Critics’ Panel: Day 3 – Óliver Laxe’s ‘Sirat’

When he was selected for the prestigious competition section this past April, Paris-born Spanish  of Galician background filmmaker Óliver Laxe achieved a remarkable feat...

Sirat | 2025 Cannes Film Festival Review

A Bridge Too Far: Laxe Enters the Zone “The Zone wants to be respected. Otherwise it will punish.” Aleksandr Kayadonvsky’s line from Tarkovsky’s existential sci-fi...

Live From Cannes!!! Meet the Jury For Our 2025 Cannes Critics’ Panel

IONCINEMA.com has been gauging the pulse of the Palme d’Or competition since 2011. We first jumped into the water when trades such as Screen...

2025 Cannes: New Palme d’Or Comp Faces in Ari Aster, Hafsia, Hayakawa, Hermanus, Laxe, Carla Simón & Mascha Schilinski!

Gone are the days of the old boys club (although the Dardenne Bros will be attempting to win the record-breaking third Palme), and there...

2025 Cannes Film Festival Predictions – Hafsia Herzi, Óliver Laxe & Rebecca Zlotowski?

La Petite Dernière Hafsia Herzi Producers: June Films' Naomi Denamur and Julie Billy World Sales: mk2 In her first pair of attempts, actress-filmmaker Hafsia Herzi has managed to...

2023 Eurimages: Oliver Laxe, Cherien Dabis, Anders Thomas Jensen, Ana Asensio, Jérémy Comte, Ariane Labed & Rúnar Rúnarsson Receive Coin

Eurimages have announced their second wave of projects receiving some co-production funding coin. Among the filmmakers and projects that caught our eye on we...

Fire Will Come | Review

Fire Walk with Me: Laxe Anchors an Arsonist in Meditative Portrait If fire is the regenerative metaphor of the phoenix, the same cannot be said...

55th Critics’ Week: France Dominates Selections with Justine Triet’s “In Bed With Victoria” as Opener

As we wait for the Directors' Fortnight to confirm the future Croisette status of Alejandro Jodorowsky if Endless Poetry, Kim Nguyen's Two Lovers and...

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Audrey Diwan’s “Emmanuelle” Skipping Theatrical for a Decal On Demand Release

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